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ABOUT GAL.

BIOGRAPHY.

Israeli-American mezzo-soprano Gal Kohav regularly performs at the Israeli Opera and collaborates with local orchestras. She is a former member of the Israeli Opera’s prestigious young artist program, the Meitar Opera Studio. In the 2023/2024 season of the Israeli Opera, Gal performed the roles of Alisa in Lucia di Lammermoor (Donizetti), Countess Ceprano in Rigoletto (Verdi), Sister Mathilde in Dialogues des Carmélites (Poulenc), and Bird/Card/Yimon in the original production of Alice in Wonderland by David Sebba. Gal frequently performs in the Israeli Opera’s robust children's productions, singing the roles of Cenerentola in La Cenerentola (Rossini), Hänsel in Hänsel und Gretel (Humperdinck), and Papagena and Zweite Dame in Die Zauberflöte (Mozart). 

Gal’s 2022/2023 season highlights include significant roles with the Israeli Opera, such as Kate Pinkerton in Madama Butterfly (Puccini) and Rosina in a family production of Il barbiere di Siviglia (Rossini). Gal also sang the role of Zerlina in Don Giovanni (Mozart) with the Symphonette Raanana

Her wide operatic repertoire ranges from the baroque to contemporary works and includes the roles of Sesto in La clemenza di Tito (Mozart), Mother Goose in The Rake's Progress (Stravinsky), the title role in Amadigi di Gaula (Handel), Ramiro in La finta Giardiniera (Mozart), Constance Fletcher in The Mother of Us All (Thomson), and Opera Box Ghost in The Ghosts of Versailles (Corigliano), among others. 

An enthusiastic advocate of new music, Gal has created leading roles in world premiere productions, including Julek in Lost Childhood (Janice Hamer), the title role in Juana (Carla Lucero), and Satan in Akeidah (Michel Klein) with Opera UCLA. Gal recently created two world premieres of Israeli productions: Theodor and Hanoch Levin: The Opera with the Israeli Opera

Gal has performed as a soloist with the Raanana Symphonette and the Ramat Gan Symphony Orchestra. She also performed the alto solos in Prokofiev’s Alexander Nevsky Cantata and Mozart’s Mass in C Minor with the UCLA Philharmonia.

Gal received the Keren Ronen Foundation Scholarship (2022). She was a second-place winner of the 2018 Hershey Felder Competition and the first-place winner of the Saddleback Concerto Competition, the Music Teachers' Association of California, the OCC Anniversary Scholarship, and the Sigma Alpha Iota International Music Fraternity Competition (Orange County Chapter). 

 

Gal holds a Master of Music in Opera Performance from the Maryland Opera Studio at the University of Maryland, and a Bachelor of Arts in Music with an emphasis in Vocal Performance from the Herb Alpert School of Music at UCLA.

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ROLES.

Corigliano | The Ghosts of Versailles | Opera Box Ghost/Susanna

Cnaan, Yonatan | Theodor | Lotte/Priest

Donizetti | Lucia di Lammermoor | Alisa

Hamer, Janice | Lost Childhood | Julek

Handel |Ariodante | Ariodante

Handel | Amadigi | Amadigi

Janáček | The Cunning Little Vixen | Dog

Lucero, Carla | Juana | Juana

Klein, Michel | Akeidah | Satan

Mozart | Don Giovanni | Zerlina

Mozart | La clemenza di Tito | Sesto

Mozart | La finta giardiniera | Ramiro 

Poulenc | Dialogues des Carmélites | Soeur Mathilde

Puccini | Madama Butterfly | Kate Pinkerton 

Thompson | The Mother of Us All | Constance Fletcher

Stravinsky | The Rake's Progress | Mother Goose

Verdi | Rigoletto | Countess Ceprano

PARTIAL ROLES

Britten | A Midsummer Night’s Dream | Hermia

Humperdinck | Hänsel und Gretel | Hänsel

Mozart | Die Zauberflöte | Papagena, 2nd Lady

Rossini | La Cenerentola | Cenerentola

Rossini | Il barbiere di Siviglia | Rosina

PREPARED ROLES 

Donizetti | L'elisir d'amore | Giannetta

Gounod | Faust | Siebel 

Gounod | Romeo et Juliette | Stephano 

Mozart | Le nozze di Figaro |Cherubino

Rossini | Il barbiere di Siviglia | Berta

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